Mon July 9: Santa Fe
Vickie, Nancy’s neighbor, who looks after Nancy’s house when
she is gone, stopped by after breakfast to see if we needed anything, and gave
us many good tips for places to go. It’s going to be hard to fit in all of her suggestions
and everyone else’s, but they all seem too good to pass up.
So our first stop was the Museum of International Folk Art.
An absolute must for anyone visiting Santa Fe. We were pleasantly surprised to
learn that our admission fee (4 museums, 4 days) of $40 was waived because I am
a veteran. Got to play that card more often!
Our hands-down favorite exhibit of the Folk Art Museum was
the extraordinary collection of more than 100,000 objects put together by
architect and designer (and folk art fanatic) Alexander Girard. A large
exhibition space is devoted to his collection, which displays, in one tableau
setting after another, little stories from the various cultures from which he
obtained his artifacts. A Mexican village scene, for example, might include a
wedding in one spot, a street performance in another, a funeral procession, a
policeman locking up a bandit, another miscreant in jail. A huge ceramic or
silvery cathedral would loom over the scene; a colorful train would be pulling
into the station where a crowd of people would be standing on the platform
looking for their arriving relatives. All these people would be no more than 4
or 5 inches high, and there would be hundreds of them. And that would be only
one tableau of maybe thirty or forty, showing folkways of cultures from around the world. And
interspersed among these scenes would be displays of needlework, colorful fabrics,
and tools and ordinary but interesting utensils Mr. Girard had collected over
many years.
There were other great exhibits, of course, ranging from
Andean folk art to Javanese shadow puppets to West African ceramics and
metalwork. I wasn’t aware that the little metal body parts and other objects
called “Milagros” are not just a Mexican phenomenon, but are found around the
world, used for the same general purpose: religious offerings to thank the
appropriate saint for help in healing an ailment or disfigurement, or for more
cheerful purposes like buying a car or a house, or finding one’s true love.
Before we left the museum for lunch we stopped to see the
poignant “The Art of Gaman,” an exhibit of crafts and artwork produced by
ethnic Japanese who were rounded up at the outset of World War II and
imprisoned in the many internment camps set up by the shameful order of
President Roosevelt immediately after Pearl Harbor. The Japanese word “Gaman”
means “to bear the seemingly unbearable with dignity and patience.” An apt
description of the many works we saw.
We had an excellent lunch in the museum café, sitting
outside on the broad plaza separating the Folk Museum from the Museum of Indian
Art (though eying some extraordinarily dark clouds from time to time,
anticipating that we might be driven indoors by a thunderstorm). The plaza was
covered with tents and awnings, being set up in preparation for this coming
weekend’s International Folk Art Market, a popular annual event that we will
miss.
Apache Dancer |
The obligatory trip to the Museum gift shop ended our visit.
Our four-museum pass will get us into the New Mexico Museum
of Art and New Mexico History Museum, which we may try to squeeze in on
Wednesday.
The skies finally opened up as we arrived at an Albertson
supermarket for needed supplies. The folding umbrella I had carried in the
glove compartment for five years was good for a last 100-yard sprint through
the cloudburst before it gave up the ghost. A replacement was for sale in the
supermarket.
One last stop, at REI, for a new pair of shoes (Keen
sandals) for me and then home for supper (broiled sockeye salmon with asparagus
and rice).
A trip to the hot tub and then bed at last.
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